Between us two busy Chicago film critics and working fathers, Emmanuel and I are orchestrating a trade of "guest reviews" for each other's sites. I was swamped last week and I was unable to see "The Fate of the Furious." He missed Chris Evans' vehicle "Gifted." My review of that will go on his site and his review of vehicular mayhem arrives right here:
Read MorePlenty of regular everyday people make New Year's Resolutions, but I think bigger entities, namely movie makers and movie moguls, need to make them too. Annually, including this sixth edition, this is my absolute favorite editorial to write every year. I have fun taking the movie industry to task for things they need to change. I'm sarcastic, but I'm not the guy to take it to the false internet courage level of some Twitter troll. This will be as forward as I get all year.
Read MoreIn her two films since "Tammy," Melissa McCarthy has done both. Going against her bread-and-butter zaniness, playing it straight for a change in last fall's superb Bill Murray vehicle "St. Vincent" was the first step. The new summer spoof comedy "Spy" is the next step, thanks to McCarthy returning as the go-to muse for her "Bridesmaids" writer/director Paul Feig. With Feig and a stellar cast, "Spy" is clearly better company, but it's not a tremendous step up in material or acting for our star. "Spy" feels like one of those movies that is funny the first time and lasts for that one dose, but won't be something you'll revisit and likely something you'll regret you really liked five or ten years down the road. It is worth your Redbox rental, but not all that much more.
Read MoreI'm going go out on a limb right now and make a bold statement after watching the amazing "Furious 7" that I didn't think I could or would say about this series a decade ago. Outside of maybe, and I mean maybe, the "Harry Potter" film series, I don't think any singular film franchise or series in cinematic history has gotten better with age more than "The Fast and the Furious." Yeah, I said it and I dare you to name something better that has spanned five-plus entries.
Read MoreIt has to be said every year, but the slowest season of the box office year are the months of January and February. It's a dumping grounds for studios in slow months of cold weather and foot traffic at the multiplexes. These are movies that aren't good enough for awards qualification and the holiday audiences of December or for the chipper personality of spring. It's cold, slow, and drop off from awards frenzy.
Read MoreI can’t get away with the same review re-write gag for “The Expendables 3” that I did for “The Expendables 2.” I know it’s a stretch to say this, but Stallone went back to the drawing board, even if it’s an Etch-A-Sketch, to actually formulate *GASP* the semblance of an actual plot. It’s not a pretty one, but the third film, for the most part, departs from the hearty rerun missions of the first two films.
Read MoreHUMOROUS DISCLAIMER: I had pretty overwhelming feeling going in that The Expendables 2 was going to be a carbon copy of the first movie from 2010, only bigger, louder, busier, and very few minor differences of note. Well, I was right. While redundant enough to come across as Xerox as The Hangover Part II was to The Hangover with just a change of setting, this doesn't make The Expendables 2 any less awesome. To have a little fun and prove this point, I have copied my EXACT 2010 review of The Expendables word-for-word below (follow the link and see) and added strike-through edits and red text additions of those very minor differences. Enjoy!
Read More
