MOVIE REVIEW: Saturday Night

The thing is embellishment couldn’t be more appropriate to venture into the storied origins of a high-concept sketch comedy show. The bawdy and rowdy new film Saturday Night is a fish story version of festooned truths. The stuff of nostalgic backstage lore made with embellishment then is retold in a loosey-goosey “based on a true story” fashion with its own embellishment now. When executed with flair, a good fish story that gets stranger and more exaggerated as it unfolds–and, hot damn, does this one ever do that–can engage and entertain.

MOVIE REVIEW: Colossal

To come right out and say it, this is more than a monster movie, and you will relish seeing why. To that degree, so little about “Colossal” is conventional, an appealing and commendable trait in today’s movie landscape. Satire and dark comedy do more damage than any kaiju stomping cities. Vigalondo and company are aiming for creative perversion and subversion of multiple genres. Peculiarity rules over spectacle with minimal loss of entertainment.

COLUMN: New Year's Resolutions for the Movie Industry in 2017

Plenty of regular everyday people make New Year's Resolutions, but I think bigger entities, namely movie makers and movie moguls, need to make them too. Annually, including this sixth edition, this is my absolute favorite editorial to write every year. I have fun taking the movie industry to task for things they need to change. I'm sarcastic, but I'm not the guy to take it to the false internet courage level of some Twitter troll. This will be as forward as I get all year.

MOVIE REVIEW: Knight of Cups

The title of "Knight of Cups" from polarizing filmmaker Terrance Malick refers to the tarot card of the same name, a symbol that represents someone "constantly bored, in constant need of stimulation, but also artistic and refined." You don't say? That label may just apply to anyone in the audience watching this film. Your copacetic taste is better than this film and you will be spiritless and dispassionate, matching the assigned astrology.

MOVIE REVIEW: Sisters

The newest collaboration of former "Saturday Night Live" BFFs Amy Poehler and Tina Fey proves that smart people cannot always escape cliche. "Sisters" has an implausible, though energetic concept for the comedy-hungry forty-something crowd. Unfortunately, "Sisters" has no ability to buck predictable formula. Even a go-for-broke, R-rated potty-mouthed jolt from two of our favorite, and normally buttoned-up, comediennes can save this film.

MOVIE REVIEW: The Skeleton Twins

Thanks to their outstanding careers on "Saturday Night Live," Bill Hader and Kristen Wiig are completely recognized, celebrated, and even typecast as total comedic performers. We've never seen them do real drama until "The Skeleton Twins." The success of your like or dislike of the film will come from your desire to either want more comedy or not believe the drama.

EVERY MOVIE HAS A LESSON

by Don Shanahan

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