To come right to the point, “Get Out” is an 104-minute living embodiment of a slow-burning WTF moment that just keeps growing with every new detail. And it’s glorious for being that very thing. More psychological thriller than the spattered horror it’s being billed to be, Jordan Peele’s directorial debut is subversively edgy and devilishly clever.
Read MoreFull disclosure, my goal in this review is to use as many synonyms as possible for the words “ridiculous” and “entertaining.” The range between those two attributes comprises the pendulum swing of “The Accountant,” the latest Ben Affleck-led actioner from “Warrior” director Gavin O’Connor. The film has a dual personality between the entertaining and ridiculous that weaves through every component and cuts to its core.
Read MoreIt sure is nice to see a surprise stay a surprise. In today's day and age of instant and nearly universal access to information, news, and buzz, it's very hard to keep anything the size of a movie a secret. The filmmakers of "10 Cloverfield Lane" and its studio have pulled off a marketing stunt that has now paid off as a entertainment coup. "10 Cloverfield Lane" is capricious blast of horror, drama, and science fiction all rolled into one twisty enigma.
Read MoreMovies are the place of fantasy where the realities of normal domestic life can be bent and distorted. In the genre of thrillers, that quality can swing from peaks like "Rosemary's Baby" and "Fatal Attraction" to the gutter of cheesy TV films on the Lifetime Channel. Independent of their quality is their suspension of disbelief towards the fictional elements of each film. Some movies do too much and descend towards ridiculousness from a sharp premise that is supposed to hook us in. Every now and then, a mystery/thriller hits the right chords to haunt you just enough to both harrowing and still tangible.
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