The problematic factor for this David O. Russell and his acting muses is the diminishing returns of their final products. Showing a case of beginner's luck, "Silver Linings Playbook" was a crowd-pleasing quirky romance that netted Lawrence an Oscar. Full of promise, "American Hustle" was an overrated and misguided attempt at Scorsese Lite. "Joy" now arrives with a random mix of events that may begin insinuate the 14th century expression of "going to the well once too often" for this group. Like the idiom's definition, Russell and company have taken repeated risks and have now pushed their luck too far.
Read MoreAny time a film about a real-life whistleblower steps into view, the central question almost always becomes "Is it really true?" Audiences are commonly kind to a good human interest story of this sort, especially when it is spun into an entertaining drama or comedy. However, they are equally quick to disown one that stretches its claims of truth too far. Knowing that dramatization will always be a prominent ingredient in these types of films "based on a true story," we have to settle for asking "Is it true enough?" Such is the weighty burden of "Concussion," starring Will Smith and directed by Peter Landesman.
Read MoreAs familiar and predictable as it turns out, by golly, "The Good Dinosaur" will still get you to smile greatly and tear up uncontrollably. Pixar consistently gets its emotion and resonance exactly right. This film achieves that signature Pixar punch effectively enough to be fitting holiday entertainment.
Read MoreWith all honesty, this writer has never been a fan of "The Hunger Games." Dystopian worlds and brassy films about them are always fascinating, but kids-killing-kids-for-sport isn't a cup of tea fitting of endorsement. It is easy to be intrigued but admittedly hard to be entertained by such a thing. With the profit-milking complete from "Part 1" last November, "The Hunger Games: Mockingjay- Part 2" ties together its loose ends with reasonable quality. To this critic, the series has always come down to your tolerance of overwrought melodrama, your acceptance of illogical hang-ups, and your stomach for grim fictionalized massacre with a high body count being pushed on kids. It's hard to be a fan of that bleakness.
Read MoreThe western film genre has always had a violent backbone. Even in the sunniest and most heroic of examples, more often that not, we're watching a struggle of survival where it is kill or be killed in a raw rural landscape. We label, separate, and celebrate heroes from villains, but all are killers with only opposing morals and justice of different degrees separating them. The violence is ever present. Few traditional westerns embrace its violent reality. "Bone Tomahawk" surges head first into it with absolute courage and graphic disregard.
Read MoreDue entirely to his talent and appeal, two hours of Bradley-being-Bradley works and the film will rightly entertain at an acceptable superficial level. The subject is simple and the the risk is low. The food is pretty, the ensemble is smooth, and the cliches are pre-made. While "Burnt" offers a flourish or two to spark a little extra entertainment, it is far from the grass roots personal touch and smaller scale passion that was Favreau's "Chef" a year ago. "Burnt" is, in essence, more elitist and that requires you to be impressed, but only at a distance.
Read More51st Chicago International Film Festival special presentation
In this writer's opinion, documentary films are at their strongest when they merge two symbiotic pairs of traits. A good documentary and its human interest story merges truth with its narrative. Secondly, a good documentary merges its overarching message with art. Any of those four ingredients alone are not enough. In the documentary genre, a narrative without truth defeats its nonfiction purpose and the central message being delivered needs the artistic touch requisite to its chosen medium of cinema. As long as it can achieve those two mergers, a successful documentary can take any subject and give it proper focus.
Read MoreSewn with care to document an unopened storybook file on little-rememberd, forgotten Cold War heroics and theatrics, "Bridge of Spies" is the kind of historical drama that Steven Spielberg can make in his sleep. In a way, this is Spielberg's throwback answer to "Argo," three years after Ben Affleck's film swept the top Oscars away from Spielberg's own "Lincoln." He doesn't need that one-upmanship for his ego. "Bridge of Spies" is more a reminder that the master is still capable of making a winner with ease.
Read More51st Chicago International Film Festival special presentation
With "Embers," we definitely have something to bite into from first-time director Claire Carre. The film occupies a domestic world after an unseen neurological disaster that caused societal collapse. People drift aimlessly through urban ruins trying to eek out existence and survival. Worst of all, the people still alive now are stricken with amnesia and now have the inability to keep short-term memory. Think "Memento" on a community-sized scale.
Read MoreMarketed like a thrilling disaster film yet playing like a respectful drama, "Everest" is still carries the sheen of every other Hollywood mountain climbing movie while offering enough of a eulogistic history lesson to be respectful of its true story. Based on the real 1996 events documented in Jon Krakauer's massively best-selling novel "Into Thin Air," astute viewers who know how it will all end will still be engaged and entertained through the cliches. Director Baltasar Kormakur veils the seams of Hollywood dramatization enough to not sour the experience.
Read MoreNot to put on the school teacher hat, but let's pose a few questions and directions. Raise your hand if Johnny Depp has let you down since 2003 when he hit the big time playing Captain Jack Sparrow and became a caricature instead of an actor? Alright. That's most of you. Now, how many times did he let you down? Twice? Five times? More than five? Wow. That's still a lot of hands. Last question, how many of you miss Johnny Depp, The Actor who made us marvel as a serious performer back in films like "Blow" and "Donnie Brasco" Yup, that's everyone. Rest assured, class, "Black Mass" is here.
Read MoreSometimes, the best documentaries aren't about stirring victories, historic successes, or heroic people. Sometimes, the best documentaries are about losers, accidental stardom, hubris, and horrible people. We are equally fascinated by a trainwreck as much as we are a space shuttle launch, maybe even more so. The captivation and interest factor doesn't wain. That's the draw of the new documentary "Electric Boogaloo: The Wild, Untold Story of Cannon Films." It makes a trainwreck fascinating.
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