MOVIE REVIEW: The Playground

In "The Playground," ominous storytelling speaking of kingdoms, favor, covenant, cleansing, and benevolence using a "Jack and Jill" analogy spoken by a mostly unseen middle-aged man to a girl alone on a titular schoolyard comprises the auspicious start to a societal microcosm hanging in the balance. Director Edreace Purmul's intriguing new film and second feature dives towards such high-minded territory of dark omens. "The Playground" recently won Best Film honors from Film Consortium San Diego at their 2016 San Diego Film Awards.

MOVIE REVIEW: The Jungle Book

By employing all of the bells and whistles of today's digital effects and key frame animation, director Jon Favreau's live-action reimagining of Walt Disney's adaptation of Rudyard Kipling's "The Jungle Book" sets its own stage very quickly to put adventure and peril first and foremost. The groovy and memorable song-and-dance numbers from the original's 1967 soundtrack are forever revered as the leading component of the traditional animated classic's charm. Those episodes of music have been trimmed from six songs to about two-and-a-half. Ferocity steps ahead of frolic and you might ask yourself how you feel about that when you watch "The Jungle Book."

MOVIE REVIEW: Marguerite

Do we all remember the infamy of William Hung from 2004? You should. Take William Hung, turn back the clock 80 years, and, here's the kicker, give him a judging audience that won't tell him he's bad. If you can do that, you can step into the foreign film "Marguerite" from French director Xavier Giannoli playing now at the Landmark Theater locations in Lincoln Park and Highland Park. Divided into five chapters, "Marguerite" is an immersive character study into a would-be singer's obsession with talent.

MOVIE REVIEW: Batman v. Superman: Dawn of Justice

"Batman v. Superman: Dawn of Justice" is constantly intense, powerfully suspenseful, and operatically enthralling on an emotional and sensory level. It is a remarkable experience on the big screen. We are in a new era with a new tone. There is room in the cinematic superhero landscape for important and formidable urgency like this. Let Marvel stick to the shiny sparkles and corner their piece of the market. This new franchise has chosen its mature path and they are showing the resolute fortitude to stick with it, haters be damned. What follows is spoiler-free!

MOVIE REVIEW: The Confirmation

If we were to play Word Association and you were given the name Clive Owen, what would you say? The lucky astute of us who have followed Clive since 1998's "Croupier" have seen him play brash and gruff villains, antiheroes, and leading men. As of the new film "The Confirmation," you have very likely never seen him play a domestic father. Now, north of 50 years old, here's Clive Owen in a role that doesn't require, nor utilize, any of the sexy traits that made him a James Bond candidate before Daniel Craig.

MOVIE REVIEW: The Program

Creating entertaining biopics about a universally disgraced figure are a hard sell under that key word of "entertaining." If they attempt to create sympathy, a duel of alienation and bias can arise. A good, thought-provoking movie has to fearlessly dig deeper. As Van der Rohe is attributed to saying, "the devil is in the details." Exposing the sordid and untold details of what led to the subject's defamation is where your film gets interesting. The rise and fall of champion cyclist Lance Armstrong is fertile ground and a fresh wound that has yet to be solved. "The Program," directed "Philomena" and "The Queen" Oscar nominee Stephen Frears, pedals uphill in attempting to shine a light on the dark details.

MOVIE REVIEW: Crouching Tiger, Hidden Dragon: Sword of Destiny

Last summer, the chief complaints of "Jurassic World" were its lack of majesty and awe to follow the original "Jurassic Park." One can now say the very same about the new long-distance sequel "Crouching Tiger, Hidden Dragon: Sword of Destiny." The soulful beating heart that stirred the 2000 winner of four Academy Awards has been stifled to large degree. The dazzling and balletic flight of fancy that we fell in love with then has been replaced by repetitive flashiness driven by a different audience.

MOVIE REVIEW: The Wave

Plenty of disaster movies pretend to lean on real science to justify their cinematic ambitions in order to offer belief an audience can accept and exude some form of intelligence. Too often, the manic energy to entertain exceeds the science and a two-hour turd polishing clinic results. The decent ones can touch base with the right science and blend in the theatrics. As long as you can stand subtitles and tray of cheese samples, you have a mild winner in "The Wave (Bolgen)" from Norway.

MOVIE REVIEW: Triple 9

The latest film from director John Hilllcoat is a deadly game of cops and robbers. The rub in "Triple 9" is that the cops are the robbers. Painted with thick coat of fictional grit capable of kicking in our audience doors, the director's sixth feature aims to be a new "Heat" for this era. Boasting a stellar top-shelf cast of dedicated, yet mismatched parts, "Triple 9" does its best to battle treacherous flaws.

MOVIE REVIEW: The Finest Hours

Normally, every protagonist in a live-action Walt Disney film gets a unnecessarily thick coat of heroic paint and every encounter, obstacle, or event calls for a full-throated orchestra of peril and self-importance. In a somewhat pleasant surprise, "The Finest Hours" avoids most of the the puffed-up flamboyance that we expect (and commonly grow tired of) from the Mouse House. The key word is "most," as the film thankfully dials down the usual Disney over-inflation while still possessing plenty of imperfections and distractions.

MOVIE REVIEW: Anesthesia

When a crime is committed, an unfortunate convergence of fate, luck, and coincidence occrs between people that would otherwise be strangers. The violent and emotional sting of that event then spreads to the family and friends of all parties involved, from perpetrator to victim. Like ripples in a pond, one incident can affect dozens. Actor/director Tim Blake Nelson's new film and fifth directorial feature, "Anesthesia," probes that social reverberation in a provocative way.

MOVIE REVIEW: 45 Years

Acting is more than just great lines and fancy speeches. Some of the best elements of true performance come when the camera is on and no one is saying a word. You won't find a better clinical example of that half of acting than from a 2015 film than in "45 Years" starring newly-minted Academy Award nominee Charlotte Rampling and Tom Courtenay. You will see exactly why she earned her nomination.

EVERY MOVIE HAS A LESSON

by Don Shanahan

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