Posts in ADVANCE MOVIE REVIEW
MOVIE REVIEW: mother!

There is extreme thematic and visceral content in mother! that will rattle even the toughest souls.  Metaphorical imagery and symbolism are everywhere, and the number of literal and figurative interpretations of what is implicitly or explicitly transpiring can kill as many brain cells as it multiplies.  The film begs endless questioning. Surviving and absorbing the film becomes a maddening experience.  In the end, what is evident to celebrate is also categorically impossible to fully condone.

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MOVIE REVIEW: Logan Lucky

The buzzing North Carolina public within the film Logan Lucky dub the central robbery a “hillbilly heist” and an “Ocean’s 7-11” perpetrated by “redneck robbers” and “Hee Haw heroes.”  With diegetic puns like those being thrown around, how could you not be entertained by Steven Soderbergh’s first feature film in four years?  It’s almost an invitation to pile on.  How does “clodhopper caper” sound?  What about “Podunk pilfering” or “backwoods buffoonery?”  I’ll settle for “hayseed hijinks.”  

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MOVIE REVIEW: Detroit

For a film like Detroit with difficult content thrust upon audiences to endure, this is not a place to seek entertainment or joy. Instead, Detroit is a challenge of cementing respect and achieving an empathy deeper than basic sympathy. Step into a beyond-cautionary tale of history that school books skipped or have forgotten.  Let Detroit stir and inspire conversations.  Let the emotions, good and bad, come and talk about them.

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MOVIE REVIEW: Dunkirk

As technically proficient and respectful to history as Dunkirk is, no substantial human anchors of emotion emerge in this film that wants to be seen as an inspiring rescue saga before a war film or historical epic.  The totems of fear and survival are ever-present, but there are no magnetic characters to carry those existential burdens.  It is a critical flaw in an otherwise astounding dramatic thriller.

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MOVIE REVIEW: Spider-Man: Homecoming

Spider-Man: Homecoming counts as a clean slate for Peter Parker’s web-slinger.  Now nestled into the established Marvel Cinematic Universe, Tom Holland is a true teenage Spider-Man, one that was never successfully conveyed by two previous franchises and their over-aged actors.  Aiming to please and bursting with effervescent zest at every flip, swing, and turn, John Watts’ Spider-Man: Homecoming succeeds as a brand new jumping off point for a character that badly needed course correction.

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MOVIE REVIEW: War for the Planet of the Apes

A significant shift in attention and investment has occurred in this series.  Our hearts and allegiances swayed from rooting for the madness of our own mankind to the superior traits of humanity exhibited by Caesar and his ape brethren.  A transformation of empathy like that is downright miraculous.  War for the Planet of Apes is a full-bodied epic of glory and pain that matches and then exceeds the moving importance and heart this rebooted franchise has established in two previous knockout films.

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MOVIE REVIEW: The Beguiled

The transitive verb “beguile,” as defined by the Merriam-Webster Dictionary, means “to engage the interest of” or “lead by deception.”  Hoodwink and divert are synonyms.  Director Sofia Coppola’s remake of The Beguiled means to charm our corsets and britches off right in line with its title’s root definition.  Methodically and dastardly, the film wishes to seduce us with a heightened intrigue of challenged sexual repression.

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MOVIE REVIEW: Cars 3

Wendy's founder Dave Thomas once said: “It all comes back to the basics. Serve customers the best-tasting food at a good value in a clean, comfortable restaurant, and they'll keep coming back.”  Apply that telling quote of ease and simplicity to Cars 3 as a perfect parallel.  The savvy creators at Pixar know how to package a quality product of with clean and clear values that gain brand loyalty from wide audiences.  Returning to its Americana roots, Cars 3 rediscovers the franchise’s successful foundation of wholesome heart.

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MOVIE REVIEW: It Comes at Night

Take the title of the film whatever way you wish, be it literally with the lurking threats of nightfall in this landscape or figuratively with the visions and nightmares one has while alone with their thoughts before sleeping.  It Comes at Night is tightly comprised of excruciating moral challenges that escalate with time.

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MOVIE REVIEW: Wonder Woman

The three-part noun definition of “wonder” can be summarized as “a cause of astonishment, the quality of excited admiration, or rapt attention at something awesomely mysterious or new to one’s experience.”  Used as an adjective in a proper name, the word could not be more fitting of Princess Diana of Themyscira, better known as Wonder Woman.  Whether it represents a cog in a larger universe, a historical watershed for women’s leadership, or the answered prayers of long-suffering fans and idolizing dreamers, Wonder Woman is a valiant, momentous, and satisfying first step fitting of the iconic heroine.

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CAPSULE REVIEWS: Short films of the 5th Chicago Critics Film Festival

Over 40 feature-length and short films, many of which making their Chicago premieres, graced the main screen of the Music Box Theatre this past week-and-change as part of the fifth annual Chicago Critics Film Festival.  It was an honor and pleasure to be be granted press credentials to cover the event.  Here are my collected capsule reviews of the short film programs.

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CAPSULE REVIEWS: Feature films of the 5th Chicago Critics Film Festival

Over 40 feature-length and short films, many of which making their Chicago premieres, graced the main screen of the Music Box Theatre this past week-and-change as part of the fifth annual Chicago Critics Film Festival.  It was an honor and pleasure to be be granted press credentials to cover the event.  Here are my collected capsule reviews of the feature-length films.

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