“Kung Fu Panda 3” bursts at the seams with exuberant fun for your inner kid at heart. The self-proclaimed “awesomeness” we have missed for too long returns with flair in every possible direction. Its nimble combination of clever humor and endearing heart is undeniable. This is a can’t-miss crowd pleaser that pulses with energy in all the right places.
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Normally, every protagonist in a live-action Walt Disney film gets a unnecessarily thick coat of heroic paint and every encounter, obstacle, or event calls for a full-throated orchestra of peril and self-importance. In a somewhat pleasant surprise, "The Finest Hours" avoids most of the the puffed-up flamboyance that we expect (and commonly grow tired of) from the Mouse House. The key word is "most," as the film thankfully dials down the usual Disney over-inflation while still possessing plenty of imperfections and distractions.
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When a crime is committed, an unfortunate convergence of fate, luck, and coincidence occrs between people that would otherwise be strangers. The violent and emotional sting of that event then spreads to the family and friends of all parties involved, from perpetrator to victim. Like ripples in a pond, one incident can affect dozens. Actor/director Tim Blake Nelson's new film and fifth directorial feature, "Anesthesia," probes that social reverberation in a provocative way.
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Thanks to the "Harry Potter," "Hunger Games," and "Twilight" series, we have had an over-flooded movie market of young adult novel adaptations with more forgettable failures than winning successes. Because we have reached an oversaturation point, the questions necessary for any new entry looking to get a piece of the pie are: What can you offer that is different and what makes you necessary? Though it tries, "The 5th Wave" cannot answer the bell with convincing responses.
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Acting is more than just great lines and fancy speeches. Some of the best elements of true performance come when the camera is on and no one is saying a word. You won't find a better clinical example of that half of acting than from a 2015 film than in "45 Years" starring newly-minted Academy Award nominee Charlotte Rampling and Tom Courtenay. You will see exactly why she earned her nomination.
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The subject of "13 Hours: The Secret Soldiers of Benghazi" is the tepidly-reviewed non-fiction book written by Mitchell Zuckoff about what transpired during the September 11-12, 2012 attacks on U.S. government facilities in Libya. Zuckoff's book and the film is told from the point of view of the security contractors that worked for the CIA at that time. The book sought to tell the harrowing story without siding with any politics. Michael Bay's film cannot help itself from taking brotherhood-fueled sides and blow everything up.
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As with any year, there are hot topics being debated immediately stemming from snubs and surprises. Here are my reaction and takeaways, consisting of five snubs and five surprises, coming out of this morning's nominations announcements.
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The 88th Academy Award nominations will be announced tomorrow morning, January 14, 2016, hot off of the weekend's 73rd Golden Globe awards. I've been following the full awards season over on my Awards Tracker page. Using that data as the tea leaves and a truckload of hunches, I'm going to attempt to closely predict the Oscar nominations for the "Big 8" categories for the third year in a row.
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The newest collaboration of former "Saturday Night Live" BFFs Amy Poehler and Tina Fey proves that smart people cannot always escape cliche. "Sisters" has an implausible, though energetic concept for the comedy-hungry forty-something crowd. Unfortunately, "Sisters" has no ability to buck predictable formula. Even a go-for-broke, R-rated potty-mouthed jolt from two of our favorite, and normally buttoned-up, comediennes can save this film.
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More and more each year, the Golden Globes have become more an a popularity contest than a true precursor to the Academy Awards. What you're watching on TV is a party thrown by the Hollywood Foreign Press Association and hosted by Ricky Gervais in an effort to be loved and share some love. To its credit, the awards show still garners legitimate attention and ratings. The winners do get a pretty positive rub and the marketers gain a few more "Winner of..." graphics to put in the newspapers next to their films.
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Remember that scene in 1988's "Big" where Tom Hanks doesn't "get" the product pitch the so-called expert is feeding to him? That might be you after (or while) watching the animated feature "Anomalisa" from the fertile imagination of Charlie Kaufman. You may feel like Josh Baskin where you have a child's mind trying to wrap your head around an adult idea. You might come out of the film and know a better idea on how to convey human love. Mark this writer down in the Josh Baskin column with a interrupting raised hand.
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Filmmaker Asif Kapadia captures the bracing and startling rise and fall of the late jazz singer Amy Winehouse in "Amy." Accessing an enormous wealth of old videos from friends and family, self-read letters of lyrics and songwriting, archived phone conversations, backstage footage, media appearances, and unreleased performances, "Amy" weaves a masterful and compelling narrative. It is on the 2016 Oscar short-list for Best Documentary Feature and is available now for home viewing.
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