All the buddy cop measurements and prerequisites are plugged into the new film "Let's Be Cops," which opens this coming August. I was lucky enough to catch a very advance screening of the film. The writers here, led by director Luke Greenfield of the forgettable "Something Borrowed," have the potential of a unique idea and a decent pair of leads to work with, but it's the real cop stuff that bogs the film down.
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Buyer beware, do not go into this movie hungry. You will chew the arm off of the person next to you and that's never a good date move (unless you're watching a zombie flick, which this is far from). Folks, do the dinner before the movie on this one, ladies and gentlemen, or you will willingly overeat afterwards. I warned you now. You'll see.
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The successful revitalization brought by “X-Men: First Class” and the unfaded star power of Hugh Jackman have brought us to “X-Men: Days of Future Past.” Original series director Bryan Singer, fresh from “Jack the Giant Slayer,” and “X-Men: The Last Stand” screenwriter Simon Kinberg have returned to correct old mistakes, untangle the knots, and realign this previously failed franchise for a healthy new lease on cinematic life and relevance.
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Amazingly, I’m happy to report that this “Godzilla,” while actually having a trainwreck in it (two in fact), is not a complete trainwreck itself. This is a legitimate summer blockbuster in scale and in quality. The promised size and scope of monster carnage that the 1998 film failed to compellingly deliver and, honestly, we never thought we would see done right on the big screen is successfully accomplished in a big way. This new film makes “Pacific Rim” look as silly as it really is, “Transformers” look downright weak and tiny, and even makes the controversial city destruction final act of “Man of Steel” look like a knocked-over sand castle or two.
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That said, the peak occupied by any R-rated comedy isn’t very high and far from snow-capped among the clouds of cinema greatness. Rarely do movies like “Neighbors” create any watershed or bedrock. In terms of peaks and heights, let’s go ahead and just call “Neighbors” your new favorite sledding hill or deluxe tree house. Besides, that’s not the “high” this film is looking for anyway, if you get my drift. The target is decidedly, and rightfully, low-brow.
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As much as this new take still feels rehashed on many levels, this sequel is the real deal as an exciting comic book adventure and spectacle. "The Amazing Spider-Man 2" is ideally suited to be the blockbuster opening act of the summer of 2014. It indeed does embody a second film that is narrowly better than the first film.
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In my opinion, very few actors have established themselves with their performance history to the point that their presence alone is an automatic sign of elevated quality towards an entire film. Call it "street cred" on a casual level or "artistic integrity" on a professional level, but few actors and actresses are near-guarantees for solid and award-worthy performances every time they take on a role. By my account, Academy Award winner Colin Firth has elevated to become one of those rare performers. He's outstanding in everything he takes on, comedy or drama, and the films he chooses become better with him being there.
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