Full disclosure, my goal in this review is to use as many synonyms as possible for the words “ridiculous” and “entertaining.” The range between those two attributes comprises the pendulum swing of “The Accountant,” the latest Ben Affleck-led actioner from “Warrior” director Gavin O’Connor. The film has a dual personality between the entertaining and ridiculous that weaves through every component and cuts to its core.
Read MoreIreland is a proud country where a pagan history has been blended with Christianity for two millennia. Mythology has merged with scripture and history has absorbed legend. “The Lark’s View” is a documentary reflecting the current and lost traditions on the century anniversary of the significant Easter Rising conflict of 1916.
Read MoreTongues are inserted into cheeks at a rapid-fire pace in “Bridget Jones’s Baby. The euphemisms, drollery, puns, wild physical gags, and self-deprecating farce originate from all directions and target anyone with eyes and a smile. The writing is harebrained in the most smart and witty ways possible and, trust me, that is a compliment. Better yet, when it needs to, the movie turns off the jokes and hits you with the necessary heart to make all the silly stuff enormously endearing.
Read MoreAs a clever and unusual experiment, “Level Up” maintains a sobering edge of straight-faced menace. Set to the electronica of the British musical duo Plaid, any sense of humor is present purely as a WTF moment of reminder of this scenario’s gonzo craziness. Targeting the metaphor of video game violence, once the clues bear fruit and darker confrontations ensue, “Level Up” earns your twisted interest and delivers on its high-concept potential with an adequate amount of thrill.
Read More”Blood Father” resurrects the cagey and fierce Mel Gibson. Languishing on an invisible black list, the “Braveheart” Oscar winner is living in a new age demographic and hoping to crack back into the larger spotlight. Mel might not be able to leap through dozens of stunt sequences anymore, but the man has lost none of his psychological vigor or resolve. His brand of crazy still works in this throwback actioner.
Read MoreIf I was trying to create a snazzy pull quote to add to the "Hell or High Water" lobby poster (one that is already filled with oversold promises), it would be "redneck edge." Fashioned as a genre-advancing Modern Western from the same screenwriter that knocked us out with "Sicario" last year, director David Mackenzie's new film is inspired in ambition but lax in execution. Its edge is the inability to decide whether to bark or bite.
Read MoreThe simplified noun definition of “comfort” reads “a state or situation in which you are relaxed and do not have any physically or emotionally unpleasant feelings.” Especially during this summer season of loud blockbusters and mayhem, when was the last time you felt simple comfort coming out of film? What types of films bring you comfort? That is a formula few genres and films can crack. William Lu’s patient romance and successful festival award winner is entitled “Comfort” and does its absolute best to deliver that very feeling.
Read MoreIn the words of professional wrestling Hall of Famer Razor Ramon, “Say hello to the bad guy!” Warner Bros. and their DC Entertainment wing need a rebound from the maligned “Batman v. Superman: Dawn of Justice” and are banking getting you to cheer for villains instead of heroes with “Suicide Squad.” Packed with a head-turning cast of wild cards and very little shame for spectacle, this film aims to combine the delicious referential villainy you loved in “Deadpool” with the anti-hero team dynamics of “Guardians of the Galaxy.”
Read MoreCelebrated director Ira Sachs channels a shade of William Shakespeare with his latest film "Little Men." An often-repeated quote from Shakespeare's "The Merchant of Venice" reads "the sins of the father are to be laid upon the children." Sachs puts a beautiful spin on that notion using modern-day Brooklyn, two struggling families from different backgrounds, and a blossoming friendship characterized by two terrific debuting teen actors. "Little Men" may be small in scope, but it speaks volumes in repercussions.
Read MoreTo the uninformed, “Batman: The Killing Joke,” a one-shot written by Alan Moore and illustrated by Brian Bolland, is a blistering 64-page classic of grim madness that fleshes out the most widely-accepted and definitive origin story of Batman’s greatest villain, The Joker. The graphic novel routinely, after nearly thirty years, tops the lists of the best Joker stories, and even overall Batman stories, ever told on the comic page. Filled with rated-R level violence and disturbing content, this is not your Saturday morning or weekday afternoon Batman story.
Read MoreHorror films are not my strong suit. My CIFCC colleague Emmanuel Noisette of Eman's Movie Reviews loves them. I enlisted him to share his website's review of "Lights Out" on mine. I shared my "Fathers and Daughters" review with him last week. Scratching backs!
Read MoreFor better or worse, Nickie and Emily, the two lovers orbiting at the center of "The Other Half," are two volatile human chemicals. Welshman Tom Cullen's Nickie is a sorrowful, combative man with a hair-trigger temper. Tatiana Maslany's Emily is a bipolar sprite with an astounding gap between her highs and her lows. By themselves, each are unstable and damaged. The question for the film becomes what happens when Nickie and Emily are combined. Does their pairing tame their respective caustic qualities or does it multiply the damage? "The Other Half" has the makings of a fascinating relationship piece and off-kilter love story.
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