"The Story of 90 Coins" is a microcosm of pure and modern young love that transfers in any language and is free of unnecessary cinematic obstacle courses that strain believability. This short story is completely relatable and endearing melodrama in all its approachable beauty that succeeds in under 10 minutes to tug heartstrings and linger in your consciousness. Don’t you dare call this an overlong greeting card, a miniature soap opera, or a expanded touchy-feely TV commercial.
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52nd Chicago International Film Festival U.S. Indies entry and presentation
“Middle Man” blends an acidic edge with showy panache that bleeds from every character, large and small. Credit the devious fun of Crowley for the snappy dialogue that pops from each character. The comedy is clever instead of coarse while maintaining its darkness. Nearly every speaking part of this colorful cast of funhouse mirrors nails a zinger or two that fits right into that line of taste.
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Spareness and simplicity can either be a fountain of nuance and austerity or it can be a vacuum of plainness and lethargy. Filmmaker Kelly Reichardt is a celebrated torchbearer of the minimalist film movement and her newest feature, “Certain Women,” boast three strong female leads in Laura Dern, Michelle Williams, and Kristen Stewart. Despite that base of acting forte and the patronage of Todd Haynes as an executive producer, the void outweighs any wellspring.
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“In a Valley of Violence” lives up to the promised bloodshed suggested by its title and spins its own brand of tension and, best of all, a frank and bone-dry humor that blows into the whole film. You will either love the comedic edge or find it a distraction from the revenge. There is an undeniable panache to the absurdity that makes the film an absolute hoot. This is the giddy Western Quentin Tarantino wishes he could make while he wastes six hours of our time and stretched disbelief.
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For the third year in a row, this website has been granted press credentials to cover the many facets of the 52nd CIFF. I am targeting the U.S. Indies slate and will add selections from the Special Presentations, Black Perspectives, and World Cinema programs. Most of these films are appearing either before or without distribution dates, meaning my reviews here will stay brief capsule form. Come back to this page often and I will add films as I go!
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Batman has evolved, but the long-standing love for that old TV show has only sweetened. The new WB Animation entry “Batman: Return of the Caped Crusaders” unlocks a time capsule and reminds us why Batman can be just as fun when he’s not brooding and sulking. With the triumphant returns of original cast members Adam West, Burt Ward, and Julie Newmar reassuming their Batman, Robin, and Catwoman mantles as voice actors, this new film possess audible and visual treats to behold.
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Full disclosure, my goal in this review is to use as many synonyms as possible for the words “ridiculous” and “entertaining.” The range between those two attributes comprises the pendulum swing of “The Accountant,” the latest Ben Affleck-led actioner from “Warrior” director Gavin O’Connor. The film has a dual personality between the entertaining and ridiculous that weaves through every component and cuts to its core.
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Ireland is a proud country where a pagan history has been blended with Christianity for two millennia. Mythology has merged with scripture and history has absorbed legend. “The Lark’s View” is a documentary reflecting the current and lost traditions on the century anniversary of the significant Easter Rising conflict of 1916.
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A masterfully powerful documentary, “A Doctor’s Sword,” chronicling the reflective and jarring tale of Irish World War II veteran Aidan MacCarthy, recently played as part of the second annual Irish American Movie Hooley at the Gene Siskel Film Center in Chicago. One half of this fine film is an astounding you-wouldn't-believe-it-if-I-told-you true story of World War II survival that would make "Unbroken" look like a nursery rhyme. Its calmer other half takes place in a present day where two proud families and two proud countries are forever bonded by shared history.
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Kevin Baggott’s darkly comedic film “Beneath Disheveled Stars" was a favorite of the Cork Indie Film Festival and Brooklyn Underground Film Festival. The film recently opened the 2nd annual Irish American Movie Hooley at the Gene Siskel Film Center in downtown Chicago. As a self-made film from a self-made man, there are qualities to appreciate from this quixotic wild goose choose.
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Circling back to the “timely” label, the film bears the designation in equally positive and negative connotations, depending of your personal capacity. Consider “The Birth of a Nation” to be the antithesis to “Selma” two years ago. This film’s depiction of violent retaliation reverberates far differently than Martin Luther King’s example of nonviolence. Audiences will wrestle with that polar opposite being empowering or troubling in justification.
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